摘要
从黄初到正始诗风的嬗变表现在建安激情的一步步退潮。曹植由立足现实到寻求精神超脱 ,是建安激情的第一次退潮 ;阮籍、嵇康否定现实而寻求超越 ,是建安激情的第二次退潮。由关注现实到关注生命本体 ,由梗概多气到篇体轻澹 ,是激情退潮的标志。
The development of poetic style showed on that the poet's motion of relieving from suffering world ebbed step by step from Huangchu to Zhengshi times. One sign is that CAO zhi was from paying close attention to suffering world to detaching himself from reality. Another is that JI Kang and RUAN Ji were from negating everything to going beyond oneself. Therefore the poetic content was from paying close attention to self-life; and the poetic style was from vigorous and vehement to elegant and flighty.
出处
《安徽师范大学学报(社会科学版)》
2001年第3期335-341,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)