摘要
艺术上、美学上的卡夫卡是丰富多彩的。作为现代主义文学的奠基人已有的对卡夫卡的研究多集中于他的作品的"异化"主题上,本文拟从艺术形式的创新上,把卡夫卡与传统的批判现实主义文学作比较,从而分析卡夫卡小说中显示出的巨大创新:其一,在叙事重心和艺术视野上的转向,由公众化转向私人性;其二,叙事艺术手段的革新,多用隐喻和象征;其三,具体到操作层面,人物是非典型和反主角的,情节是细节真实和整体荒诞的统一。
On the view of Art and Aesthetics, Kafka is wonderful and complex. There are many papers about Kafka which focus on the topic of 'differenemood ', because Kafka is called the founder of modernism literature. This article, however, will discuss Kafka's innovation on the art style by the way of comparing Kafka's novels with the critical realistic literature. First, the turn of narrative centrobaric and art-ken is from popularization to sigularization; Second, Kafka is fond of applying metapher and symbol on the narration; Third, character is non-typical and count-protagonist while its story is the unity of detail-real and integraler-fantastic on the manipulation.
出处
《阜阳师范学院学报(社会科学版)》
2001年第1期52-54,共3页
Journal of Fuyang Normal University:Social Science Edition