摘要
本文从《文赋》的“意不称物 ,文不逮意”的命题入手 ,分析了《文赋》在“意不称物”的“意”、“物”矛盾中 ,侧重对“意”即艺术构思的研究 ,在“文不逮意”的“文”、“意”矛盾中 ,侧重对“文”即艺术表现的探讨 ,认为将“言”、“意”矛盾置于艺术构思和表现之中去寻求解决途径是陆机具有开创性和完整性的创作理论 。
? In terms of the structure and theme,this paper expounds the artistic conception focused on by Lu Ji in the contradiction between“implication”and“objectivity”as well as the artistic representation focused on by Lu Ji in the contradiction between“literature” and“implication”.The authorholds the view that the way in which the contra- diction between“literature”and“implication”is put in the artistic conception and the artistic representation affects the Chinese literature critique greatly.
出处
《湖北师范学院学报（哲学社会科学版）》
2001年第2期6-9,共4页
Journal of Hubei Normal University（Philosophy and Social Science）
