多重意蕴的同构与完形——熊正良小说之“红色意象”解读

The Same Structure and Finished Form of Multiple Inner Secret

本文认为,熊正良小说中的“红色意象”的设置原因确实与作家的职业经历和身处地域的土地色彩有关,但其却有着更为深沉而丰富的底蕴。从文本透视和意象学的双重角度出发可以发现,文化历史的隐喻、生命意识的跃动和命运色彩的注释是“红色意象”存在的根基;同时,它们的同构与完形也是文本意指超越故事本体的主要途径 这是作家在审美方式和文体技术方面比现实主义走得更远的结果。

This paper states that the reason why there are many red images in Xiong Zhengwang's novelsdoes have something to do with the writer's occupational experiences and soil color, but it has more deep andrich inner secret. Furthermore, the paper studies the foundation of the red image.