摘要
在曹禺戏剧中 ,我们不难发现“疯子”意象的频繁出现。考察中国乃至世界文学、文化经典 ,我们意识到“疯子”意象有着深厚的文化内涵 ,并且具有形象的相似性和内在精神机制的稳定性 ,从而成为人类集体无意识中共同寻求的先知先觉人间评判者的原型意象。“疯子”群像在曹禺戏剧中完整的原型流变过程 ,体现了作家复杂的内在心理结构及其认识世界、认识自身不懈的上下求索 。
The frequent appearance of lunatics can be found easily in dramas of Caoyu. According to inspecting from world literature to cultural classics, the lunatics have deep culture intension, similar images and stable spiritual mechanism, thereby they became the prototypical image of adjuster who have foresight on earth in collective unconscious of mankind . In dramas of Caoyu, the whole process of lunatics' prototypical flowing are embodied the complete psychological structure of the writer and his seeking in the world and come to a glitteringng side of his dramas.
出处
《北华大学学报(社会科学版)》
2001年第2期64-67,共4页
Journal of Beihua University(Social Sciences)