摘要
本文从心理学角度探讨了中国古代文论中虚静的内在活动机制对创作的重要作用。作者认为 ,虚静中有深层心理活动 ,外“静”(理性抑制 )为内“动”(无意识兴奋 )提供了心理空间 ,并导致“动”的产生 ,引起个人无意识、集体无意识的活跃 ,为构思创作既带上个人风格 ,又具有共性奠定基础。另外 ,通过虚静与醉、梦的比较 。
Emptiness-staticity, as an important category in Chinese traditional theory of literature and art, had been elaborated in several ways by ancient scholars.However, they only described the characteristics of'Emptiness-staticity from superficial phenomenon. The ancient scholars couldn't clarify the internal and psychological mechanism of 'Emptiness-staticity', which is just the main subject discussed in this paper.
出处
《中南民族学院学报(人文社会科学版)》
CSSCI
北大核心
2001年第3期133-136,共4页
Journal of South-Central University for Nationalities(Humanities and Sociol Science)