论穆旦诗的现代主义意识

On the Modernist Consciousness in Mu Dan's Poetry

2 0世纪 3 0、40年代相交时期 ,中国的现代主义诗学建构进入一个新的阶段。以穆旦为代表的现代诗人注重吸收西方现代主义“否定性美学”的精神内核 ,突破了中国旧现代主义者从技法、内容上强行拼凑西方话语于中国现实之上的僵硬模式。穆旦探索的每一步都突出地切合了现代诗的社会批判和主体独立的要求 。

The transition from the 1930s to the 1940s witnessed a crucial era for the construction of modernist poetry in China. Modern poets represented by Mu Dan, absorbed the 'aesthetics of negativity' idea in western modernism, and broke the rigidity of mode in former Chinese 'modernists' in which western discourse and the Chinese reality were pieced together by force in terms of technique and content. The experimental practices of Mu Dan demonstrate the social criticism and subjective independence of modern poetry, which is of great value to the development of Chinese modern poetry.