论扬雄赋

On YANG XIONG-FU

扬雄大赋重视讽谏 ,并开辟了新的讽谏手法 ,即正文中杂以微讽 ,以点醒题旨 ;大量用典 ,夹叙夹议 ,以及结合行踪咏史怀古的体格。其意义在于试图摆脱描写与讽谏游离的格套 ,从而自然过渡到他本人后期的言志赋 ,也启发了以后的纪行赋作家。扬雄的言志赋则体现出儒、道、骚融合的倾向 ,既追求个体的独立和自由 ,又并不废弃道德操守的价值。他的创作从大赋到言志赋的发展 。

As a renowned writer of Fu(赋),Yangxiong attached importance to satire,developing new satirical techniques. He mingled light satire with the main body of Dafu(大赋) to touch on the work's themea. He utilized many literary quotations within his Dafu and employed narration interspersed with commentary to give voice to many of his personal meditations on history and antiquity. The achievement of his Dafu is that he changed the traditional style in which description and satire come together. He attained a transition from Dafu to Yanzhi-Fu(言志赋),which gave expression to his aspirations in his later life. His Dafu also inspired the Jixing-fu(纪行赋) writers.Yangxiong'Yanzhi-fu embodies a mixture of Confucianism,Daoism,and Sso(aliterary style of the Pre-qin times). His works demonstrate a pursuit for individual independence,freedom,and the preservation of moral value. Bridging the transition from Dafu to Yanzhi-fu,his works contain great significance to Han Fu'history: he isthe link between early and late Han Fu.