摘要
王安忆 90年代末的短篇小说 ,主要叙写当年知青生活中的亲历往事 ,深情礼赞淮河儿女的人性美 ,藉此建构自己的精神家园。这种在岁月回望中寻找、建构精神家园的执着与努力 ,体现出对当下平庸现实的背离。在文学创作中这并非个例。“距离的审美”
Wang Anyis short stories in the late 1990s mainly focus on her personal experiences as an educated youth in the days of the Cultural Revolution (1966-1976). With deep affection, she eulogizes the beauty of sensibility and humanity of the people in the Huaihe region, thereby building her own spiritual homeland. Her persistence and effort to seek and build a spiritual homeland in retrospection embody her deviation from the current unpleasant reality, which is not an exception in literary creation. The basic reason for her being able to build the spiritual homeland lies in the appreciation of beauty from a distance'.
出处
《扬州大学学报(人文社会科学版)》
2001年第3期32-35,共4页
Journal of Yangzhou University(Humanities and Social Sciences Edition)