论中国绘画艺术审美中“意境”的不确定性

The Indefiniteness of Aesthetic “Mood” in the Art of Chinese Painting

意境是中国绘画艺术审美中的最高境界 ,它本身的不确定性及其所造成的开放性、包容性和暗喻性具有巨大的吸引力 ,使人们在审美活动中能超越具体的、有限的时空和物象 ,从而感受和体悟到一个与理想人生相契合的审美对象。它的形成与发展 ,同老庄哲学。

Mood is the highest aesthetic level of Chinese painting. The indefiniteness of mood itself, along with the openness, inclusiveness and metaphoricalness it produces, presents a tremendous attraction which enables people to transcend specific and finite space time and image, thereby feeling and understanding an aesthetic object agreeing with an ideal life. Its formation and development are closely related to the philosophy of Lao Zi and Zhuang Zi, the doctrine of Buddhism, and the art of poetry.