摘要
明清启蒙美学对中国古代传统的伦理美学、对“发乎情 ,止乎礼义”的基本美学原则进行了猛烈冲击。它从自然人性论出发 ,以主情论为旗帜 ,贯穿着个性解放与人性欲求的启蒙意识。
Ming Qing Dynasty's eathetics attacked violently Chinese traditional ethic easthetics and some traditional basic easthetic principles. From the perspective of natural human nature and under the background of advocating the theory of emotion, the Ming Qing Dynasty easthetics was full of enlightened consciousness of which were the liberation of personality and desire of human nature.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2001年第4期109-113,共5页
Journal of Central China Normal University:Humanities and Social Sciences