摘要
初唐四杰的辞赋、骈文因被斥为“时带六朝锦色”而多不被人认同。这两种文体在事实上起到了开拓文学样式新路的作用。在辞赋的影响下 ,“四杰”的歌行呈现出铺陈展衍 ,纵横捭阖的气势 ;同时 ,辞赋中借事抒情的手法 ,赋予歌行一体以极大的语言表现力。而骈文的对偶、声律等形式方面的特点 ,被“四杰”运用于七言歌行 ,促进了“初唐体”的形成 ,也被推广到近体诗中 。
Critics are prone to have lowly appraised the Fu and Pian Wen of Chu Tang Si Jie because of their Six Dynasties's literary style. But the Auther hold that this two literary forms promoted their poetry innovation. They applied the techniqe of expression in Fu and the antithesis,tonal pattern in Pian Wen to Ge Xing. And then, they promoted the formation of 'Chu Tang Shi Ti' and perfected the rule of Wu Yan Liu Shi.
出处
《衡阳师范学院学报》
2001年第4期44-46,共3页
Journal of Hengyang Normal University
关键词
初唐四杰
辞赋
骈文
七言歌行
五言律诗
诗歌革新
Chu Tang Si Jie (the four outstanding writer in the beginning of Tang Dynasty)
Fu (descriptive prose interspersed with verse)
PianWen (rhythmical prose)
Qi Yan Ge Xing (poem with seven characters in a line)
Wu Yan Liu Shi (an eight line poem