摘要
作为 2 0世纪初中国新诗运动的“殿军” ,宗白华的小诗意象新颖、风格独标 ,其中活跃着自然生命的感悟、宇宙万象的体会 ,既有理智的清醒与深邃 ,也有情绪的纯真与感动 ,传达了诗人的人生立场与生命情怀。而以明澈的理性引领创作实践 ,是宗白华较一般新诗诗人优越的地方。他关于“形”“质”不分的新诗艺术意境创构理论 ,以及对于诗人人格的修养要求 ,体现了辩证的艺术精神 。
As the last man of new poetry movement of China in the early of 20th century ,Zong Baihua's image of little poetry is novelty ,style out of common ,there flourishes sense that be moved and comprehend by natural living , sense of universe every phenomenon,there are not only sane sober and abstruse, but also emotional naivete sensation, expressed poetic life standpoint and life feelings. Clear ration leading invent practice is Zong Baihua's predominant trait. His new poetry art artistic conception composing theory on confusing form and quality, and his demand for poetry personality, embody dialectic art vital spark, brought important influence on Chinese new poetry movement
出处
《首都师范大学学报(社会科学版)》
2001年第4期87-98,共12页
Journal of Capital Normal University:Social Science Edition