《诗式》与禅宗

Manners of Poetry (Shishi) and Zen

南宗禅对心性理论的重视，为诗歌艺术的发展奠定了充分的哲学基础。两栖于丛林和诗坛的皎然由此入手，从禅心与诗心的类比出发，用禅境喻诗境，用禅法喻诗法。皎然开启的“以禅喻诗”的诗歌审美道路下启司空图、严羽，形成了中国诗歌美学中极具特色的另一路。

The importance attached to the theory of emotions in the Zen of the Southern Song Dyrasty has laid a sufficient philosophical foundation for the development of poetic art. JIAO Ran, existent in both the Buddhist monastery and the circle of poets, proceeding from this point and the analogy between the heart of Zen and the heart of poetry, compares the mood of poetry to the mood of Zen and likens the approach to poetry to the approach to Zen. The aesthetic way of interpreting poetry by likening poetry to Zen paved by JIAO Ran , followed by SIKONG Tu and YAN Yu , forms another track of Chinese poetic aesthetics with its outstanding features.