摘要
艺术思维方式决定着诗人用怎样的眼光看待外部世界,因此在很大程度上也决定着诗美的标准。古典诗歌的艺术思维方式由其滥觞时代的直接、简单、粗糙渐变为细腻、敏感、蕴藉,其间既有诗歌自身发展的因素,亦有魏晋时期社会思潮方面的原因,更与唐代禅宗“顿悟”认知哲学体系的确立有密切关系,唐以降“意境”在诗歌理论与实践中的繁荣,就是对这一流变的最好诠释。
The mode of artistic thinking decides how a poet looks the world around him ,so this decides the standard of poem beauty. Mode of artistic thinking of classical poem improves from directmess, simpleness to indirectmess, complicated. It reasons for its own development and the social thinking in wei Jin period. It also has relation to Tang period's realization. We can notice this point from “artistic conception” after Tang period .
出处
《天中学刊》
2001年第3期38-40,共3页
Journal of Tianzhong
关键词
艺术思维方式
流变
认知
禅宗
古典诗歌
顿悟
意境
mode of artistic thinking
poem beauty
changing
classical poem
the Chan sect