中国当代文学中的人学与美学

Humanity and Aesthetics in the Modern Chinese Literature

本文从“文学是人学”的角度梳理当代文学５０年的发展，认为当代文学所表现的人经历了这么几个阶段：政治性（神性）的人；真善美的人；非理性的假丑恶的人；日常生存中的俗人；感性欲望中沉浮的人。与此相应，当代文学的审美风尚也依次发生了这样的嬗变：政治伦理美学、人性论美学、审丑的现代主义美学、生存论美学、感性美学。当代文学审美风尚的变化是与对人的认识的变化差不多同步进行的。对人的认识的更新，是新的审美表现方式的生长点。

The author attempts to analyze the development of the modem Chinese literature in the past half a century in the view of that 'literature is the science on human nature'. The author tries to elaborate the human figures of the con-temporary literature have been undergoing several phases: from political men to filled-out men, and then from irrational and fake-vicious men to ordinary men, at last, to men tortured by sensibility and desire. The aesthetic vogue of the modem Chinese literature has been also changed greatly in step with the change of understanding of the human beings.