鲁迅作品中生命群像的存在主义哲学色彩

Existential philosophy in Lu Xun's works

鲁迅作为中国新文学划时代的开拓者 ,积极引进和移植了西方现代哲学和现代派文学。鲁迅作品中“佯狂”的生命群像 ,以不拘一格的生命方式 ,表现出对现实的批判、怀疑、否定和破坏 ,带有浓烈的尼采式的“超人”印迹。而“向死而在”的生命群像 ,则体现出人只有面临死亡 ,才能最深刻地体会到自己的存在的存在主义哲学观点。鲁迅的生命群像凝聚着深刻的唤醒意识与反抗精神。

As a pioneer in the new literary trend in China, Lu Xun actively introduced and transplanted western philosophy and modernist literature into China. In his works, Lu Xun creates a group of people, figures pretending to be mad, but with their extraordinary way of living, hurling their criticism, doubt, negation and destruction into the reality. Traits of Neitzschean 'supermen' can be found in these people. The people who 'exist before death' reveal the existential philosophy that only in face of impending death can human beings have a profound awareness of their existence. Lu Xun's group of life is animated with a spirit to awaken and to rebel.