摘要
法国新小说理论家格里耶提出 ,语言与现实的矛盾决定了新小说应该采用“空缺”这一美学策略。要实现这一策略 ,文学家必须尽可能地排除给定观念 ,还必须采取相应的战术 ,预设出文本意义、人物和情节的空缺。“空缺论”以其艺术见解的新颖独特、思维方式的自由开放 ,丰富了 2
French novean roman theorist Alain Robbe Grillet proposed that the contradiction between language and reality determined that novean roman should adopt“Manqué”.In order to realize this strategy,a literati must exclude the given concept as possible to get him a vacant sense and spiritual freedom.In the meantime,he must adopt a corresponding way to presuppose textual meaning,the Manqué of character and plot. So“Manqué”has enriched novel writing theory in the 20th century with its originally artistic views and free ways of thinking.
