摘要
屈原的《九歌》《招魂》通过生命本身的热烈追求 ,深情缠绵 ,豪奢享受 ,展示了一种“盛”美、“奢”美、“华”美、“豪”美。这在汉人精神和汉赋风格中得到了继承和发挥。在美学上 ,它所体现的精神实质是戏剧和宴会的 ,而不是典礼的 ;是音乐与舞蹈的 ,而不是文学的。在主要受儒道两家思想浇灌的中国文艺的历史上 。
Calling for Soul” and “Nine Song” by Qu Yuan reveals a kind of “extreme” beauty, “sumptuous” beauty , “magnificent ” beauty and “grand” beauty by way of enthusiastic pursuit, greater lingering and enjoyment in the life itself. It was well passed on and developed in the spirit of Han Dynasty People ,as well as in the style of Han Fu. In enthusiastic, the spiritual essence it embodies is of drama and banquet , not of ceremony; it is of music and dance, not of literature . In the history of Chinese art cultivated mainly by the Confucian and Taoist school, the pursuit of appreciating the powerful life , or the story life power, from the point of appreciation of the beautiful , is dear.
