摘要
90年代以后 ,艺术生产的全球化和市场化似乎是一个不可逆转的历史过程 ,同时也是一个世俗化的过程 ,这使艺术生产者在一定的时期内 ,淡化精神追求或干脆放弃精神追求成为不可避免。在此进程中 ,中国知识分子几乎沦落如无所事事的“社会闲杂人员”。
Since 1990's,globalization and marketization of art production has turned into a historical process,and also a process of common customs,which cannot be reversed and enable art producers to desalt spiritual pursuit or even relinquish soul pursuit,during the course of which Chinese intellectuals have almost sunk into social idlers.
