摘要
源于人类对生命的崇拜与幻想的古老的图腾活动 ,虽然早已随着时间的流逝沉埋于不复再现的年代之中 ,但正是人类这种最为原始的、梦幻般的想象使得自己从初始的混沌状态里醒来 ,艰辛地寻找与创造着。尽管图腾形象并非为审美而创造 ,但由此幻化出的具有浪漫主义美感的龙凤纹样以其独特的艺术魅力 ,当之无愧是中国传统装饰艺术之灵魂。
The totem activities originated from life worship and illusion of humanity, although in company with the passing time already disappeared in the vanished ages, it is the most original and dreamlike illusion of humanity to wake humanity-self from Chaos ,and then humanity had hardly been seeking and creating. In spite of that fact that no totem image was created for esthetics, the dragon & phoenix patterns that was magically changed from the totem possessing romanticism esthetic feeling with unique artistic glamor,fully deserve the title of the soul of Chinese conventional art .
出处
《开封教育学院学报》
2001年第2期4-6,共3页
Journal of Kaifeng Institute of Education
关键词
图腾
巫术礼仪
审美意识
装饰
Totem
withcraft etiquette
esthetic consciousness
decoration