摘要
周济词学思想较前人更全面亦更准确地揭示出词之美感特质。其“词史”说强调词应反映与时代盛衰相关之“感慨”,极大拓展了词之内蕴的表现范围 ;其“有无寄托”说与“寄托出入”说则从艺术构思与运笔方法等角度总结了词创作过程中不同阶段的特点 ;周济将能否引发接受者之自由联想作为其评词之理论与实践的最高准则 ,提出了重视接受主体的鉴赏思想 ;而“空实”说与“浑厚”说则说明其词学观念中已具备词中另有“境界”的初步意识 ,可视为词境理论最早之萌芽。
It must not deem of “losing language ” the generalization of the contemporary Chinese literary theory and criticism; of the modernization of the Chinese traditional Chinese literary theory and criticism the ideal channel to “ language reconstruction”; of the absolute national character the first gist for literary theory construction. What counts is the contemporary social culture and the literary actuality, which have to be studied deeply. The construction of language for literary theory is not the final aim of literary research, but a conceptual tool or means; it comes into being following the proceeding of literary criticism and the development of the literature itself, and it bears the marks of times and, thus, a transient feature inevitable.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2001年第3期88-96,共9页
Nankai Journal:Philosophy,Literature and Social Science Edition