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梁上泉音乐文学创作的民间影响 被引量:4

Folk Influence on Liang Shangquan's Musical Compositions
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摘要 梁上泉走进中国当代诗坛,其根本驱力是建国初的音乐文学创作。在 50年代由颂歌艺术思潮的推涌而形成的音乐文化环境中,梁上泉以新诗成名的同时。也在中国当代音乐文学界崭露头角,并不断取得成就,成为有影响的音乐文学家。梁上泉长期致力于民间音乐文化的积累,广泛涉猎各种民间音乐文学样式,汲取艺术营养,并付诸创作实践,艺术天赋得以充分展现,形成了革命的政治意识与民间音乐品位牢固结合的鲜明创作个性。 How Liang Shangquan entered the field of contemporary Chinese poetry was due to his works of musical literature right after the founding of New China. Early in the 1950s, when the artistic trend of odes propelled the formation of the environment of musical culture, Liang Shangquan, who already established himself then with his poems, emerged and later became an influential musical litterateur for his achievements. He had long devoted himself to the accumulation of musical culture among the folk, to the hunting for various styles of musical literature before putting them to practice. His artistic talents have been brought into full play in his unique compositions, which is a firm combination of politically conscious revolution with the taste of folk music.
作者 赵心宪
机构地区 重庆教育学院
出处 《涪陵师专学报》 2001年第2期11-19,共9页 Journal of Fuling Teachers College
关键词 梁上泉 颂歌艺术 音乐文学 民间影响 创作个性 诗人 民歌 歌词 歌剧 《红云崖》 Liang shangquan art of ode musical literature influence on folk unique composition
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