摘要
从“形神”、“意象”、“虚实”等中国传统审美范畴的价值取向和中国诗学的价值取向上可以看出 ,中国的审美观念存在着一个“虚化”的价值取向。形成这种“虚化”价值取向的原因主要有三个方面 :一是与中国传统的思维方式有关 ,二是与老庄思想的影响有关 。
From several traditional categories of ancient Chinese aesthetic, such as “body and soul”, “significance and image”, “tangible and intangible”, we can see that there is a nihilism tendency in aesthetic conception of ancient Chinese people. The nihilism preference also can be seen from Chinese poetic field. The nihilism preference results from the traditional way of thinking of Chinese people, the influence of Laozi and Zhuangzi thoughts, and the impact of Chan thought.
出处
《宁夏大学学报(人文社会科学版)》
2001年第1期36-40,共5页
Journal of Ningxia University(Humanities & Social Sciences Edition)