摘要
李贽的文艺批评带有浓厚的哲学意味。他从哲学层面提炼出的“童心说”在其文艺美学观中具有纲领性意义 ,其真实、自然、形神、情趣诸论都是童心说的逻辑引申和具体阐发 。
Li Wan's literary critics has a strong philosophic flavor. His “Tong Xin Shuo” is written from the philosophic point of view and is significant in his literary aesthetic theory. It shows Li's orientation of aesthetic values.
出处
《渝州大学学报（社会科学版）》
2001年第2期78-82,共5页
Journal of Yuzhou University(Social Sciences Edition)
