摘要
张艺谋影片的女性意识 ,其真实的意义是“超性别”的。它通过女性创世纪的那种博大之爱的诠释 ,通过“女性神话”的展现 ,力图实现一种人类的自我总结、启蒙、发现 ,最终走向文化人类学的历史目标。张艺谋的影片同所有艺术品一样 ,产生于一定的文化背景 。
The movie of Zhang Yi-mou combined the elegant mythology and popular story styles, which is appreciated at all levels of society. And the movie combined the struggle of the society and the consciousness of the female sex, which has inherited traditional aesthetic appeal, along with a high cultural value. The consciousness of the female sex also reflect the concerns for his country during the time of cultural crisis.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2001年第3期83-88,共6页
Journal of Northeast Normal University(Philosophy and Social Science Edition)