摘要
以诗歌话语文本的形式自足为前提 ,在对《荒原》艺术形式的社会文化内涵认可的同时 。
While approving the social cultural intention of the artistic form of The Waste Land, the author takes great pains to excavate the concentration of the modernism due to the de-construction of subjective ego which intends to high light the special of modernism.
出处
《保定师专学报》
2000年第3期44-47,共4页
Journal of Baoding Teachers College
