摘要
通过对意境的哲学基础 ,意境的形成 ,意境的审美意义等问题的探讨论述了意境的基本内含及发展过程 ,从而论证情景交融 ,物我合一是中国古代艺术的审美追求 ,也是最具中国特色和东方神韵的理论体系。
We discuss the basic meaning of the scene of poetic and its development from such aspects as its philosophy base,its forming,its significance in aesthetic appreciation.And we conclude that the mixing of scenes,feelings,the unity of objects and people is not only a lofty realm of aesthetic appreciation,which ancient chinese artists tried to seek,but also a theorithtic system most full of chinese features and spirits of oriental nations.
出处
《黄石高等专科学校学报》
2000年第2期65-68,共4页
Journal of Huangshi Polytechnic College
关键词
意境
象
虚无
比兴
滋味
情景交融
艺术创作
The scene of poetic
Appearance
Nihility
Associative thinking of scenes
Taste
The mixing of scenes and feelings