摘要
艾略特的《荒原》揭示了主体在自身的分裂中构成自身 ,在他者话语的延展中呈现自身的过程 ,并形成了一个更有历史意义的多元主体的对话。而这与诗人的“非个性化”理论所强调的传统意识完全吻合。诗人就是用这种方式将历史与现实、远古神话与现实故事、传统文化与现代文学相交融 ,让读者从多方位、多层面、多视角看到西方现代文明的荒原的现状、诗人拯救荒原的祈求以及宗教信仰的重要性。
The Waste Land, the masterpiece of T.S. Eliot who was a famous poet in modern Britain, delineates the process of the subject's self-construction in its division and the subject's self-presensc alongside others' dialogues. Furthermore, it forms a more historic multi-subject dialogue, which tallies with the emphasized traditional awareness in the “impersonality” theory of the poet himself. In this way, the poet mixes the history with the reality, ancient myths with real stories, traditional culture and modern literature. Thus, the reader can decode the wasteland of the Western modern civilization from different angles or perspectives, and see the importance of the poet's pray for regenerating the civilization wasteland and religions
出处
《郴州师范高等专科学校学报》
2001年第3期46-50,共5页
Journal of Chenzhou Teachers College