论王夫之诗学中的审美主客论

A Study of Wang Fuzhi's Subjective and Objective Aesthetic View concerning Poetry

审美主客论是王夫之哲学认识论在审美领域的贯注 ,具有极强的理论生长性。它以“情”“景”之双向互通关系为根基 ,又以“景中情”“情中景”“大景中小景”之范畴为枝干 ,向下深掘而紧抓“现量” ,向上伸展而直入“神理” ,从而建构起一个较完整的诗学体系 。

The subjective and objective aesthetic view was Wang Fuzhis philosophical theory concerning cognition in aesthetic area, and is the key idea of his thought of poetry, which has great theoretic potentials. The theory holds that the mutual relation between sentiment and sight was the basis to build up a relatively complete poetry system. He had the ideas of “sight within sentiment”, “sentiment within sight” and “small sight within big sight”, etc. Wang Fuzhis profound explaition of the intrinsic conation of aesthetic activities has the theoretic significance that can not be neglect in the history of Chinese poetry.