韦孟韦玄成诗之雅颂余风与赋化倾向

The Hangover of WEIs’ Elegant Songs and Their Degenerative Tendency

就西汉四言诗而言 ,从韦孟到韦玄成 ,《诗》《骚》时代最广泛的以叙先烈、述祖德而讽谏的诗 ,已不能在新的历史条件下向前发展 ,汉儒强调“美刺”的《诗经》批评与当时的实际创作完全脱节。四言诗的赋化倾向是诗人力图消解这一矛盾的努力。西汉四言诗的发展历程证明不是遵循“美刺”的原则而是回到传统的“言志”的主旨上来 。

As far as Chinese classical poems with line of four characters each in Han Dynasty, from WEI Meng to WEI Xuancheng, is concerned, the popular “Mei and Ci” poems that recount the bravery of the martyrs and assessed the virtues of the ancestors in “SHIJING” and “Mei and Ci” age can not make their further development under new historical circumstances. “Mei and Ci” criticism of the Book of songs emphasized by Han Confucianism was completely disjointed from the practical creation. The tendency to being “Fu” of classical line of four character each poems was the effort that contradictory. The history of Han line of four characters each poems has proved that they can find their way out only by returning to traditional theme of“YanZhi” instead of following the previous “Mei and Ci” route.