摘要
本文论述了汉斯立克“自律论”音乐美学的主要学说 ,分析了其理论的合理因素与失误之处。对西方音乐美学史上的自律论和他律论的源流进行了梳理 ,勾勒了汉斯立克理论形成的思想源流 ,以加深对其学说的理解和把握。
The article discusses Hanslick's theory of the auto nomy of music, and analyes both the rational and unjustified aspects of his theo ry. It intends to define sources of different theories advocating autonomy or he teronomy in the Western history of musical aesthetics, and thus to improve the u nderstanding of Hanslick's theory by analyzing how his thoughts were formed.
出处
《上海交通大学学报（哲学社会科学版）》
2001年第2期96-100,共5页
Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)
