摘要
“新时期文学”这个概念在这里包含了“文革”后到世纪末的文学。如果把从“文革”以后到世纪末的文学视为一个整体文学的发展 ,它是一个创作主体不断发展的过程 ,但五四新文学传统一直若隐若现地埋藏在作家们的心底里。人的文学和现代汉语的审美形式 ,始终成为五四新文学的两大传统制约着文学的走向。同时 ,在五四新文学传统的整体影响下 ,中国作家们还重新建立了世界性的视界。 2 0世纪 80年代的文学与 90年代的文学有很大的差异 ,可以分别称作是共名时代的文学和无名时代的文学。学习文学史要求学习者大量地阅读与分析文学作品 ,不仅从审美的角度来提高赏析文学作品的能力 ,也从大量的作品阅读中来感受、理解和把握文学史的发展脉络。
The concept of “Literature in the New stage” includes the literature from the time after the Great Cultural Revolution to the end of the 20th century. If we regard the literature during that period as the development of integrative literature, it is a process for writing subjects developing constantly, but in the hearts of many writers the tradition of May Fourth New Literature appears indistinctly. Human′s literature and aesthetic form of modern Chinese consistently turn to be the two traditions of May Fourth New Literature which limit the tendency of literature. Meannhile, under the complete influence of the New Literature, Chinese writers build up the views of world standard. There is a great difference between 1980s literature and 1990s literature; they can be regarded as the literature in the era with giant subjects and without giant subjects. Learners are requested to read and analyze a large number of literary works when learning the history of literature. In this way, the learners can not only improve their ability of appreciating literary works from aesthetic point of view, but also experience,understand and grasp the main development of literature history by reading plenty of literary works.
出处
《平顶山师专学报》
2001年第3期1-5,共5页
Journal of Pingdingshan Teachers College
基金
国家教育部基金项目
关键词
新时期文学
源流
共名
无名
《新时期文学概说》
literature in the new stage
source
the era with giant subjects
the era without giant subjects