摘要
在胡风与茅盾文学观念生成演进过程中存在着激烈的相互冲突 (对编辑方针、民族形式、思想与技巧、颓风产生的原因、对现实主义的不同理解 ,由于私人恩怨的介入 ,使二者在理论体系的构建中有意识的相互排斥大于无意识的相互吸纳 。
Through inspecting the history of divergence of literature views and private sentiment between Hu Feng and Mao Dun,The essay in order to reveal the form of confrontation and absorbsion in their theory pattern,so we can see Its' bad effect to the healthy devolopment of China modern literature.
出处
《周口师范高等专科学校学报》
2001年第3期34-37,共4页
Journal of Zhoukou Teachers College