摘要
周谷城的艺术创作在 60年代被朱光潜等学者认为是克罗齐表现主义艺术理论乃至佛洛伊德无意识理论的中国翻版。本文通过分析不同意这种论断 ,认为周谷城的艺术创作理论是他吸取中国传统艺术理论合理内核的基础上形成的一种独具特色的表现论艺术创作理论 ,他试图运用马克思主义反映论的原理对中国传统艺术理论进行改造的尝试 。
The theory of artistic creation of Zhou Gucheng was regarded by scholars like Zhu Guangqian in 60s as Carori's expressionism artistic theory or even as Chinese' reproduction of Fraud' subconciousness.But this paper holds quite different point of view that the theory of artistic creation is a peculiar one based on the rational crux of the Chinese traditional artistic theory,and he gave it a new try which is even now appreciable through using Maxist theory of Reflection.
出处
《嘉应大学学报》
2001年第4期62-65,共4页
Journal of Jiaying University
关键词
周谷城
表现论艺术论
中国
古代
艺术理论
艺术创作理论
马克思主义
反映论
Zhou Gucheng
expressionism artistic theory
artistic theory of ancient China
harmonious blend of feeling and shape