摘要
在人类艺术话语系统中 ,鹰 /蛇是一对深蕴着人类感情意识的特殊符号 ,其凝定经历了数千年 ,表现为以下形态 :作为部族符号的图腾→作为现象符号的神话主角→作为文学符号的鹰蛇喻象和投射了鹰蛇之灵的人。这一过程在一定程度上反映了人类脱离自然、又融合于自然的历程。
In the system of art speech, eagle and snack are the special pare of symbols that deeply contain feeling and ideas of humanity. In thousands of years, the forming of the symbols 'eagle and snack' went through the following patterns: the totems as the tribal symbols→the heroes of myth as the phenomenon symbols→the metaphor figures and the heroes that reflected the spirit of eagle and snack as the art symbols. These patterns reflected the course that humanity separated from and returned to nature.
出处
《福建师范大学学报(哲学社会科学版)》
北大核心
2001年第3期90-95,共6页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition