由解构到建构──从“戏拟”看中国当代小说创作

From Deconstruction to Reconstruction──viewing modern Chinese fictions in terms of“parody”

在 20世纪中西方文艺理论的交流中，时空的转换常常会带来意想不到的碰撞和共鸣。苏联杰出的语文学家、哲学家、美学家巴赫金的文化转型理论指涉的虽然是欧洲文化的脉络，但他的理论思路对于当代中国的转型文化同样有着深刻意义。狂欢节转化为文学语言，即巴赫金概念中的狂欢化 (carnivalization)。“戏拟”作为狂欢化的一种主要话语策略，在小说写作中的风格体现为我们探究文化转型期小说的复杂面貌和创作主体的深层心理提供了一个参考借鉴的窗口。

In the exchanges of the theories of literature and art between China and the west,the change of time and space will usually bring about unexpected conflict and resonance.The cultural transition theory of outstanding linguist (philosopher and aesthetician as well)Mikhail Bakhtin in the Soviet Union is derived from European culture but it also has a profound meaning to the transitional culture in modern China.Bakhtin's carnivalization means transforming carnival festival into literary language,As a main discourse strategy of canivalization,parody's embodiment in the style of Chinese modern novels plays a referential role in studying the deep psychology and complex state of Chinese modern culture.