摘要
20世纪 80年代之后中国文艺理论界有一种主张废弃创作方法的观点。废弃论的理由难以成立 :作家的创作经验证明 ,创作过程中作家往往自觉地遵循某种原则 ;用“风格”取代“创作方法”不可行 ,它们二者是交叉关系。创作方法的涵义应该单纯 ,应该回到歌德和席勒所确定的涵义。
In China's artistic theory circles after the 1980s,there arose a viewpoint of discarding the creative technique.This paper argues that it is untenable.The creative experience shows that during the artistic creation,writers, more often than not,conscientiously follow a certain principle.'Creative technique'can not be replaced by 'style',and they should go on alternately.
出处
《石家庄师范专科学校学报》
2001年第3期25-27,共3页
Journal of Shijiazhuang Teachers College
关键词
创作方法
废弃论
创作风格
涵义单纯性
文艺理论
创作方法
创作过程
creative technique
riewpoint of discarding creative technique
stuly of creation
connotative exclusion