摘要
现代乡土文学事实上有三个流派。一是以鲁迅为楷模的一派。这一派作家始终把故乡记忆同文学的时代责任紧密结合,创作因此具有双重叙述的特征。二是由周作人开启以废名为代表的一派。他们钟情于个体乡土生活体验的单层叙述,吟唱的多是远离现实的田园牧歌。三是与沈从文相类的一派。这一派作家也营造牧歌,但其目的在于以这种人性美的精神文本呼唤新的人生价值规范的重建。
In fact, the modern native literature can be divided into three sects. Lu Xun was the pattern of the first sect. These writers linked memory of hometown closely with the literature's responsibility of the times, so their works possessed the characteristics of double narration. The second was opened by Zhou Zuo-ren and was represented by Fei Ming. They enjoyed single narration on individual life experience in the hometown and sang pastoral songs of the coun- tryside separated from the reality. The third kind of writers were those similar to Shen Cong-wen. They had constructed the pastoral songs too, but they intended to rebuild the new values of life by these mental literary essence on humani- ties.
出处
《广州大学学报(综合版)》
2001年第7期1-9,16,共10页
Journal of Guangzhou University