摘要
文章追溯了感悟这种中国诗人传统的审美思维方式形成、发展的渊源 ,归纳了这种思维方式的主要特点 ,并探讨了在学诗、写诗过程中 。
The article traces back to the forming and develepment of aesthetic touching feeling-the traditional aesthetic thinking mode of Chinese poets, sums up the main charactercstics of it and also probes into the relation between the quality of poets and different methods of aesthetic touching feeling in the course of studying and writing poems.
出处
《上饶师范学院学报》
2001年第2期31-36,共6页
Journal of Shangrao Normal University
