摘要
亚里士多德“摹仿”的真实涵义 ,应是艺术对大自然创造过程本身的摹仿。这实质上是艺术家以出自心灵的形式之于创造材料的实现过程。因此《诗学》中关于诗的真实问题根本上不是诗人对现实反映的正确与否 ,问题在于诗人将其形式之于材料的实现方面是否达到整一、和谐 。
The true implication in Aristotle's mimicry is the mimicry of the art, which exists in the nature's creation itself. This, in fact, is the realization of creative material from the artist's heart. So the truthfullness problem in poetics is not the poet's reaction of being right or wrong to the reality, but that of the poet's applications of his materials which are achieved wholly and harmoniously, so that the problem of the possibilities and necessities are embodied in the structure of the poems themselves.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2001年第5期40-45,共6页
Jilin University Journal Social Sciences Edition
关键词
摹仿
真实
创造目的
可然律
必然律
可信
诗歌
亚里士多德
《诗学》
mimicry
truthfulness
the purpose of the poem's creations
law of possibility and law of inevitability
trust