摘要
孟浩然毕生的审美追求是“求真”“求自然”。这种追求为盛唐诗人的创作提供了一种全新的审美范式 ,它具体表现为三点 :一是将日常生活入诗 ,二是将兴寄入诗 ,三是独特的抒情手法和入俗致雅的语言风格。孟浩然的创作 ,扩大了唐诗的题材 ,有效地抵制了初唐时期的浮靡诗风 ;将陶渊明 ,谢灵运结合在一起 ,完成了由陶、谢到王维过渡 ,将山水创作推向繁荣 ;孟浩然的创作确立了平淡诗风在盛唐诗坛的地位 ,开启盛唐诸大家的视野。
What Meng Haoran sought all his life was truth and nature, which created a new aesthetic style in composing poems in the prosperous times of Tang Dynasty.It lies in three aspects. First,he poetized everyday life. Second,he wrote about human nature. Third , he expressed his feelings in a unique way and with simple and elegant words.His composition widened the range of subjects in poetry and effectively changed the boastful poetic style in the early Tang Dynasty;It absorbed the writing style of Tao Yuanming's and that of xie Linyun's and combined them,which completed the transition of writing style from theirs to Wan Wei's;It established its plain and simple writing in the poetic circles in the prosperous times of Tang Dynasty and enlightened a host of influential poets at that time.
