摘要
郑板桥力主创新 ,反对拟古 ,摹古 ,强调气、神在艺术中的呈现 ,突出主体的创造力。他画论的主要美学思想表现为三个方面 :一、崇尚“真气” ,“以造物为师” ;二、求“真意” ,“会心得神” ;三、“胸无成竹” ,得“真趣”。
Zheng Banqiao tried hard to bring forth new idea. In order to give prominence to the creative power of Main body,he opposed imitating the ancients and emphasized Qiand Sheng should be presented in the arts.There were three presented in the main aesthetics idea of Zheng's theories in Painting:1、 uphold “real Qi” and “Regard Nature as a teacher”;2、Seek “real implication”and“understanding and gain Sheng”;3、Withought a wellthoutt plan can get “real taste”.
出处
《惠州大学学报》
2001年第2期67-73,共7页
Journal of Huizhou University
关键词
真气
真意
真趣
郑板桥
绘画理论
美学意义
审美主体
审美对象
情感
uphold “real Qi”“Regard Nature as a teacher”
Seek “real implication” “understanding and gain Sheng”
Without a wellthought plan can get “real taste”.
