摘要
综观夏目漱石一生的创作 ,他塑造了不少女性形象。漱石对女性在主观上虽然存在厌恶与恐惧的心理 ,但是现实生活中女性的美 ,女性的哀 ,女性的苦 ,在他的笔下形成了一个丰富的女性群体。而这些女性蕴蓄着已内核于漱石思想中的日本传统审美意识 ,这体现在三个方面 :一是漱石文学中的女性表达了作家对“爱的真实”的追求 ;二是漱石文学中对女性的描写可以说达到了一种“樱花飘香”技巧 ;三是漱石文学中的女性明显地体现出了日本民族审美意识“哀、闲、寂”的特征。
Natsume Sousaki has created many images of the female sex in his works.Although he feels horrified and abominates to women in his real life,Natsume Sousaki has presented us with a colourful femak world fall of beauty,sorrow and pain.Sousaki's female sex shows the Japanese trakitional aesthetic consciousness in his ideology,which is reflected in three aspects.First,the female sex gives expression to the writer's parsuit of true love.Second,the descriptions of the female sex are something like the Japanese flowering cherry--full of colour and fragrance.Third,the female sex obviously shows the characteristics of 'sorrow,idleness and quietness'in the Japanese aesthetic consciousness.
出处
《湖南工程学院学报(社会科学版)》
2001年第2期72-75,24,共5页
Journal of Hunan Institute of Engineering(Social Science Edition)