从解构主义看亨利·菲尔丁的小说创作

On Henry Fielding's Novel-writing Theories From the Deconstruction Point of View

20世纪以来 ,解构主义思潮已广泛影响了文学创作理论。从解构主义观点重新审视菲尔丁代表作品的语言结构、篇章构架 ,我们会发现亨利·菲尔丁的创作与解构主义理论有许多吻合之处。语言大师菲尔丁早在 1 8世纪时就已表现出反传统、反西方理性主义和反二元对立论的思想倾向。在角色的艺术审美上 ,也表现出永远难以达到本真境界的解构主义理念。

Deconstruction theory, a school of philosophy, which originated in France by Jacques Derrida in the late 1960s, has had an enormous impact on the world literature criticism. Deconstruction upends the Western metaphysical tradition. It represents a complex response to a variety of theoretical and philosophical movements of the 20th century. A deconstructive reading of British masterpiece Tom Jones which was written centuries ago, makes us be aware of Henry Feilding's specificity of a text's critical difference from the traditional Western rationalism, dualism and aesthetic view on real perfect aspect of characteristics.