女性自我的追寻者——论茹志娟的小说创作

The Pursuers of Women Themselves——On Ru Zhijuan's Novel Writing

以“文革”为界 ,茹志娟的小说创作经历了一个由“微笑”到“深思”的发展过程 ,在审美理想、人物形象、艺术表现等方面都发生了显著的变化。但当我们转以女性意识的视角去重新审视她的作品的时候 ,就会发现这“变化”之中又有“不变”的存在 ,那就是作者难以割舍的对女性自我的追寻。因为外在环境的制约 ,这种追寻在五、六十年代的作品中也还是缩手缩脚的 ,甚至是隐在的 ,但它却表明了作者对女性自我的尊重和固守。而且 ,这种隐在固守在新时期到来以后 ,便如经冬的春笋 ,破土而出 ,成了新时期女性文学勃兴的“春之声”。

The Cultural Revolution as a boundary, Ru Zhijuan's novel writing undergoes a development process from 'smile' to 'deep thought', which has notable changes in ideal of appreciation of the beautiful, characters performance of art and so on. But when we reexamine her works in the view of women consciousness, we will discover there are 'non-changes' in 'the changes';It is the research of women themselves, which the author is hard to part with. Because of the restriction of the external circumstances, this kind of research is overcautious and even concealed in works in the fifties and sixties, but it shows the author's respect and defense to female themselves. Moreover, after the new period comes, this kind of concealed defense, like bamboo shoots spring up through the winter break through the ground to come out and become 'Song of Spring' of women's literary.