摘要
古典诗学批评白居易论的轨迹表现为:中唐至宋初,诗论家们对其诗作各方面基本持称扬态度;大致从北宋中期开始,出现不小规模的对其诗作审美表现的批评之声;进入明代,诗学批评的意气化色彩明显增强,白居易及其诗作基本处于被否定的境局;清代,白居易论最终进入到较为全面深入的辨析之中。
The locus of the controversy on Bai Ju-yi's poems in classical poetical criticism shows four courses: the first, Middle-Tang till Early-Song Dynasty, the critics main views were praising his poems' every space, the second, Middle-Bei Song Dynasty, it began to appear a more large scale denouncing to his poems; the third, Ming Dynasty, the poetical critism clearly strengthened the personal feelings Bai Ju-yi and his poems generaly were denied; the forth, Qing Dynasty, the controversy on Bai Ju-yi's poems finally entered the all-round and deepen analyse.
出处
《衡阳师范学院学报》
2001年第5期55-59,共5页
Journal of Hengyang Normal University
关键词
古典诗学批评
白居易论
称扬态度
审美表现
意气化
辨析
poetical criticism, the contreversy on Bai Ju-yi's poems, draw the outline of, interpret