20世纪外国经典电影理论回眸

Renarration of Classic Foreign Film Theories in the 20th Century

本文从视觉艺术及文化、纪实主义理论、蒙太奇理论、电影心理学四个方面对 2 0世纪 6 0年代以前的外国经典电影理论进行了概要回顾 ,注重理论的甄别与实证 ,评述各家理论流派对电影理论学科发展及对电影艺术创作实践的价值和意义。尤其是对被长期忽视或混淆的电影理论流派和电影理论家 (如于果·明斯特伯格、法国印象派—先锋派、谢尔盖·爱森斯坦、吉加·维尔托夫、安德烈·巴赞等 )的观点 ,予以较为详实的论述 。

The paper briefly reviews the foreign classic film theories before the 60s in the 20th century from four aspects :audio visual art and culture , realistic theory , montage theory and film psychology , highly values the differentiation and fact proving of theories ,and comments on the development of film theory discipline made by each school as well as the value and significance of film artistic creation practice . Especially the views of those long neglectful or confused film theory schools and film theorists are given a fuller expounding, aiming to restore its real look and the due place of film theory history .histor