摘要
中国古代象喻批评源远流长 ,博大精深。象喻批评是通过以形象作比喻的方式实现自我鉴赏的文学批评样式 ,与“比兴”、“比喻”有着共同的发生机制和质的相似性。象喻批评启端肇绪于《诗经》、《周易》时代 ,魏晋南北朝时期成为重要批评方法 ,至晚唐进入一种审美意境。宋代以降 ,佛教渗透 ,象喻批评禅化。
Chinese ancient Imagery Criticism is profoundly ori ginated and intensi vely developed.Imagery Criticism is defined in this article.We hold that Imagery Criticism is a sort of literary criticism of realizing self-appreciation throug h metaphorical method by critics of literature.At the same time,this article ela borates the evolution orbit of Imagery Criticism.We hold that Imagery Criticism originated The Book of Songs and The Book of Changes.To the kingdom of Wei,the J in Dynasty and the Northern and Southern Dynasties,Imagery Criticism became a ki nd of important critical method .To the late Tang Dynasties,Imagery Criticism ca me in the aesthetic mood.From the Song Dynasty,for the pass of Buddhism Imagery Criticism was zenized.
出处
《云梦学刊》
2001年第6期65-67,共3页
Journal of Yunmeng