摘要
文本中形象迥异的姜尚公老爷与白嘉轩,如果两者被还原到生活的原生态中去,其实同为代表儒文化典型人格的乡村地主,这两个人物的平行与影响比照生动地影射出20世纪中国文学的两次重要转型——一次是从文化反思的“文学革命”转向阶级化的“革命文学”;另一次是从无产阶级狂飙文学重新转向对汉文化的倡扬与重构.巴人这部烙有鲜明时代痕迹的作品,折射着文学史的两面:不忘反思儒文化人格与心理,同时阶级分析的意识形态理念开始渗入并强化.文本与人物因为这两重意义而获得历史性的审美内涵.
Lord Jiang shang-gong and Bai Jia-xuan, the two different characters in texts are both typical Confucian country gentlemen. They vividly reflect two important transformations in Chinese literature of 20th century. One is from 'Literary Revolution' to 'Revolutionary literature'; the other is from Proletarian literature to the advocacy and restructuring of Han Culture. Ba Ren's piece of writing, which is stamped with strong brand of time, gives expression to two respects in the history of literature: the memory and mentality of Confucian personality, and the growing class analysis ideology. The texts and characters, as a result, achieve historical aesthetic effect for this dual meaning.
出处
《宁波大学学报(人文科学版)》
2001年第3期11-16,共6页
Journal of Ningbo University:Liberal Arts Edition